Wednesday, May 6, 2020
The Primacy of Poetry On Tita Chicoââ¬â¢s The Arts of...
On Tita Chicoââ¬â¢s The Arts of Beauty: Womenââ¬â¢s Cosmetics and Popeââ¬â¢s Ekphrasis In ââ¬Å"The Arts of Beauty: Womenââ¬â¢s Cosmetics and Popeââ¬â¢s Ekphrasis,â⬠Tita Chico contends that ekphrastic representations of women in The Rape of the Lock and Epistle to a Lady indicate Popeââ¬â¢s privileging poetic artistry over the art of cosmetics. In both poems, Pope exploits the humiliation of a ââ¬Å"cosmetically constructed womanâ⬠in an effort to assert the supremacy of his own artistic authority (Chico 4). Chico uses other scholars#8213;Laura Brown, Christa Knellwolf, and Felicity Naussbaum chief among them#8213;to anchor the origins of her argument, but she immediately addresses their respective limitations. She gently criticizes other scholars forâ⬠¦show more contentâ⬠¦The other women are identified chiefly by the appearance of their portraits, but the ideal womanââ¬â¢s rendering is what Chico terms an ââ¬Å"antiportrait, one that ultimately sheds its pictorial skin and that can exist only in languageâ⬠(19). The so-called ââ¬Å"softer Manâ⬠is described by non-physical words such as ââ¬Å"Pleasure,â⬠ââ¬Å"Rest,â⬠ââ¬Å"Courage,â⬠ââ¬Å"Softness,â⬠ââ¬Å"Modesty,â⬠and ââ¬Å"Prideâ⬠(19). Compare this with the ekphrastic objects used to define the Queenââ¬â¢s virtues, such as ââ¬Å"Crown,â⬠ââ¬Å"Gems,â⬠and ââ¬Å"Ballâ⬠(19). The Queenââ¬â¢s interior is a mystery because her exterior is enshrouded in trivial things; the Queen is a vacuous presence and, as Chico contends, the ââ¬Å"cosmetic surface, paradoxically, is her truthâ⬠(18). This part of Chicoââ¬â¢s argument shines. Chico divides her argument into two discrete sections. The first situates cosmetic arts in historical context, and the second discusses ekphrasis in Popeââ¬â¢s work in Rape and To a Lady. Though not wholly relevant to the rhetorical argument on Pope, Chicoââ¬â¢s discussion of cosmetic arts is both interesting and edifying. To briefly summarize, Chico presents the art of face painting as an important eighteenth century debate. Some feared the power#8213;however specious#8213;lent to women by cosmetic application; not only did make-up allow women to seem more beautiful, it enabled them to engage in an ââ¬Å"art.â⬠Arguments regarding the value of cosmetics circulated throughout the public sphere in Popeââ¬â¢s age,
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